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Ji-hye and the Woman of Dawn

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A person stands in the center of a wide, empty street at sunrise or sunset, arms outstretched. The scene is framed by tall buildings and leafless trees on either side. The light creates a dramatic silhouette effect, casting long shadows on the pavement and illuminating the mist in the distance, giving the scene an ethereal, tranquil atmosphere. The overall tone is warm with a soft gradient from golden to cool hues.


Dear Appa,

You always told me to watch the quiet things— the way leaves turn just before the wind, the stillness between two notes in a song. I didn’t understand it then. I think I do now.

There is a woman who practices tai chi every morning, just outside the library. She moves like the sunrise itself—slow, deliberate, certain. No audience. No applause. Just breath and motion and something that feels like peace.

I don’t know her name. No one seems to. She arrives before the city wakes, her silhouette framed by grey buildings and soft gold light. Some mornings, I write about her instead of cataloguing irrigation manuals. (I keep those pages in my bag, not in the shelves.)

She reminds me of your greenhouse, and the plant you sang to. Of the rhythm in your hands when you trimmed its leaves. Of the lullabies I pretended to sleep through, just to hear the end.

Maybe she’s like you—teaching the world in silence, offering grace where no one thought to look.

I hope you’re well. And I hope your voice still finds a place to land.

With all my love,
Ji-hye

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